"The X-Men are a million miles from Earth, at the mercy of a rcae if deadly creatures known as the Brood. Infected with parasitic larvae, the mutant team must find a way to free themselves from the alien's insectoid clutches before they are transformed into new Brood warriors. An epic battle ensues as the X-Men struggle to stop their foes, whilst desperately fighting to keep control of their minds and bodies. Returning to earth for a final showdown the group must then confront one of their strongest members ho hass been infected with the embryo of a new Brood Queen. Get ready fro some classic X-action at its very best."
This is the bit where I geek out about just how strong this run on the X-Men is and everyone gets bored silly because this is, what, the third time now? The fourth? Who cares! This is magnificent. Claremont's world building is ridiculously vast, and it shows here where the conflict ranges from space battles, war on alien worlds, to internal struggles for the control of self.
Even the most ridiculous stuff (an over-reliance on cloning and magical-healing is already beginning to creep in) is counterbalanced by a rich imaginative seam of wonder, from the Brood's space-whale hunts to the idea of Lockheed.
The brood are a weird mix of blatant 'Alien' rip-offs and super creepy 'Invasion of the Body Snatchers' by way of hosting, and their lack of success is a hindrance to what is supposed to be the greatest threat to life in the galaxy.
This isn't the best in the series, by this point Claremont has passed most of the real big moments, like 'the Dark Phoenix Saga' and 'God Loves, Man Kills', and is surfing to a close. It's for completists only, I guess, but really, if this doesn't make you happy, nothing will.
You said it Kitty.
Also Try:
Chris Claremont, Uncanny X-Men: The Dark Phoenix Saga
Brian Michael Bendis, All New X-Men
Joss Whedon, Astonishing X-Men: Gifted
Also Try -Professor Xavier is a JERK edition:
Ed Brubaker, Deadly Genesis
Joss Whedon, Astonishing X-Men: Dangerous
Various, Avengers vs X-Men
Showing posts with label Chris Claremont. Show all posts
Showing posts with label Chris Claremont. Show all posts
Monday, March 3, 2014
Saturday, December 7, 2013
New Excalibur: Battle for Eternity, Chris Claremont
If the Excalibur (or eXcalibur) of Warren Ellis was all grim and gritty spy fare with a dash of sci-fi thrown in, this is pure, unadulterated Claremontian superheroics.
Or at least it is AFTER the first few issues, which instead choose to focus on ... Nocturne suffering a stroke. If you can imagine the mood whiplash of that being the lead in to an alternate version 'evil' Captain Britain showing up to invade London with an alternate version 'evil' X-Men, whilst a diverse eXcalibur team battled against overwhelming odds to defeat them and save the Queen from execution. Well, actually, it's rather impossible to imagine that kind of mood change.
So if you do read this book after reading this, just skip those first few issues. It's not worth it. Much like the powerloss chapter about the depowered mutant who almost inadvertently dies because he can't fly anymore, it's a taste of the real world that certainly has a place in comics, but rarely works alongside the convention of capes and baddy punching.
Is it good? Rarely. Is it enjoyable? Assuredly so. Will you miss anything by not reading it. Not at all.
There's a lot of Claremont comics to get out there, this isn't even top 30.
Also Try:
Chris Claremont; X-Men
Mark Millar, Ultimate X-Men
Joss Whedon, Astonishing X-Men
Christos Gage, World War Hulk: X-Men
Monday, August 26, 2013
X-Men Forever; The Secret History of the Sentinels, Chris Claremont
"Comics legends Paul Smith and Terry Austin join the X-Men Forever team! As the X-Men attempt to recoup from brutal recent events, they're tested by an unlikely obstacle. Meanwhile, something big has surfaced in South America - an enemy the battered X-Men will have to face head-on! Collects X-Men Forever #6-10."
X-Men Forever, even by the standards of any series that has been running for 40 years, is probably the most continuity-snarled and least accessible book I have ever read. It's part continuation of the original Uncanny run of Claremont, designed to show 'what would have happened' if he had stuck around, but exists in its own continuity (where death is permanent, Sabretooth IS Wolverine's Dad, and Storm is evil).
So If you can keep up with it being a book designed exclusively for X-Men fans who want to see the 'real' Claremontian story completed that has no actual continuity or canon reality, then here is a book for you.
And boy, is it weird. This is volume 2 of the book, and considering that I've not read the first I was pretty lost. Storm has been cloned as a child and her holder version has gone evil. That's the easiest twist to explain in a series that also features a blind Sabretooth living in the X-Mens house so that he can more easily hunt Kitty who now has Wolverine's claws. It's just totally nuts.
The story itself is pretty run of the mill stuff - Nick Fury shows up when Sentinels attack his men in South America. The X-Men head off to fight them alongside Nick and Daisy Dugan (daughter of 'Dum Dum'). We then get a secret origin of Nick Fury and Wolverine, where they meet to fight Sentinels in World War Two. Don't question it.
The arts pretty, the story is characteristically bombastic, and even if it doesn't add anything new it's fun in its own slightly nuts way. But ultimately this is a tale that didn't need telling, that has no consequences at all for the X-Men, and serves as a slightly worse Elseworld or What If? tale.
Pick up Ultimate X-Men instead. Unless you really, really miss Chris Claremont.
Also Try:
What If?
Mark Millar, Ultimate X-Men
Chris Claremont, New Exiles
Chris Claremont, Uncanny X-Men
X-Men Forever, even by the standards of any series that has been running for 40 years, is probably the most continuity-snarled and least accessible book I have ever read. It's part continuation of the original Uncanny run of Claremont, designed to show 'what would have happened' if he had stuck around, but exists in its own continuity (where death is permanent, Sabretooth IS Wolverine's Dad, and Storm is evil).
So If you can keep up with it being a book designed exclusively for X-Men fans who want to see the 'real' Claremontian story completed that has no actual continuity or canon reality, then here is a book for you.
And boy, is it weird. This is volume 2 of the book, and considering that I've not read the first I was pretty lost. Storm has been cloned as a child and her holder version has gone evil. That's the easiest twist to explain in a series that also features a blind Sabretooth living in the X-Mens house so that he can more easily hunt Kitty who now has Wolverine's claws. It's just totally nuts.
The story itself is pretty run of the mill stuff - Nick Fury shows up when Sentinels attack his men in South America. The X-Men head off to fight them alongside Nick and Daisy Dugan (daughter of 'Dum Dum'). We then get a secret origin of Nick Fury and Wolverine, where they meet to fight Sentinels in World War Two. Don't question it.
The arts pretty, the story is characteristically bombastic, and even if it doesn't add anything new it's fun in its own slightly nuts way. But ultimately this is a tale that didn't need telling, that has no consequences at all for the X-Men, and serves as a slightly worse Elseworld or What If? tale.
Pick up Ultimate X-Men instead. Unless you really, really miss Chris Claremont.
Also Try:
What If?
Mark Millar, Ultimate X-Men
Chris Claremont, New Exiles
Chris Claremont, Uncanny X-Men
Saturday, April 20, 2013
X-Men: Scarlet in Glory, Chris Claremont
It constantly amazes me how much of X-Men lore comes from Claremont. Say what you will about his writing style, and how he shaped the majority of the major X-Men storylines. Here for instance we have Storm fight Callisto for control of the Morlocks, the 'return' of Phoenix (by way of Mastermind and everyone's least favourite Jean Grey contrivance, Madelyne Pryor) Storm gets a mohawk, Kitty and Colossus have their first kiss, the almost-wedding of Wolverine and Mariko, Rogue joining the team, Wolverine fighting Silver Samurai.
That is an insane amount of material for what's a tiny fraction of an epic run.
Virtually every single great X-en storyline has its roots in these issues, so it makes for compelling reading, even when the outcome is now so well known that there's little mystery (see Madelyne, Storm's Mohawk, Kitty and Peter, eveyone hating Rogue). Whilst some of those can drag a little bit there's never a lull in the action - this is anything but decompressed. In the spand of a few issues you get the introduction, set up, reveal and defeat of villain after villain.
The art's a little inconsistent, especially compared to the early Byrne work, with Wolverine's head changing size and shape a little through his time in Japan, but otherwise it's a solid representation of the X-Men, especially in their battle against Cyclops and Phoenix towards the end.
Also Try:
Chris Claremont, Uncanny X-Men
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