"When he briefly became an Orange Lantern in blackest night, Lex Luthor got a taste of true power. Now he'll do anything to get that power back. His quest for the Black Lantern energy takes him to Arkham Asylum for a close encounter with "The Joker", and then into direct conflict with Larfleeze, the ultra-greedy Orange Lantern."
This is a chunkier book than the first volume, featuring as it does the annual and secret six tie in that comeplete the story of Luthor and the black ring. By the time it's done it will get even more bonkers than it was before, with appearances from Ra's Al Ghul, Darkseid and the Joker, as well as Larfleeze and Superman himself, who finally puts in an appearance towards the end.
So the first volume had some strange ideas about what made an enjoyable read, and kind of lost me around the point where creating simulations of your enemies wife to sleep with became a thing. But in amongst that, was some good stuff, in particular a trot through some of the worst of the DC universe that wouldn't have been out of place in setting up a new Legion of Doom.
That continues here, as we get to see more of the most nefarious individuals in the DC universe, and as we venture out into space towards the end the villains become more and more outlandish, culminating in a fight with a Phantom Zone space God.
The problem isn't the side characters, it's the arc for Luthor. Having been set up as a resolutely awful person, there are two ways this could go. Either he fails, and we're pleased, and this is what will happen. Or he wins, and although he's the current protagonist everybody loses out. The questions isn't whether he will fail, but how.
Now usually here, in a book where Luthor is the bad guy you would expect Superman to appear and save the day, either through some feat of strength, or simply by virtue of a stronger moral compass. But this isn't a book where Superman wins, but one where Luthor loses, and that for me is a problem.
Cornell doesn't set up a more positive competing vision of who Superman is, or what he does and why that is better than Luthor's vision. Instead, Luthor loses control of his rage and pumps out all the power he had gained in a futile attempt to kill Superman, whilst acknowledging that in doing so he is passing over his chance to alter the world for the better.
That's very Lex Luthor, and this idea that it's his hubris, and more than just a lust for power but a lust for power over Superman in particular, that dooms him is neat. But it does somewhat ruin what can be an otherwise more nuanced character a little. Lex is the perfect foil for Superman in the same way as Magneto is for the X-Men; neither view themselves as the bad guy. Their cause is just, and is simply contrary to the wishes of the superhero team they compete against. Compared to the Joker (sample plan: poison the water supply) or Loki (evil is funny) Luthor is a picture of sanity. But the root of that has to be that he views Superman as an outsider who threatens humanity, not just his own place and position.
Lex Luthor, for me at least, only works as a true Xenophobe, who believes that Superman holds back human progress - essentially a DC Universe equivalent of the idea that charity to Africa stifles reform there. I love the idea that Luthor may be right; but he can't be that character if he actively throws away these motives on panel. Telling Superman he won't save Jonathan Kent from dying, or that he'd rather kill Superman than make Earth better now doesn't just undermine that part of his character, it destroys it entirely. That entire facet of Lex Luthor is now unworkable.
That's the problem with The Black Ring throughout - it attempts to be a picture of Lex Luthor, and show his side of the story, but it turns out he's just a one-dimensional dick.
Also Try:
Mark Millar; Superman: Red Son
Tom Taylor, Injustice: Gods Among Us
Scott Snyder, Superman Unchained
Showing posts with label The Joker. Show all posts
Showing posts with label The Joker. Show all posts
Saturday, June 22, 2013
Friday, May 17, 2013
Supreme Power: Nighthawk, Daniel Way
"As a boy, Kyle Richmond - the man who would one day become Nighthawk - witnessed the senseless murder of his parents. There was no reason for their deaths, no provocation - they were just simply in the wrong place at the wrong time. It was a traumatic event that has left him scarred for life - and turned him into a hero more feared than the criminals he polices. Now, it's happening again... but on a much larger scale. The people of Chicago - men, women and children - are dying in the streets, victims of a monster whose thirst for slaughter cannot be quenched, whose soul is a bottomless void and whose scars run even deeper than Nighthawk's. Long ago, Kyle Richmond looked into the face of madness - now, it's looking back at him. And it's flashing a killer smile. Collects Supreme Power: Nighthawk #1-6."
The main draw of this is the Steve Dillon art, a guy who is the go to for obscenely sterile violence (read Preacher or The Punisher, and be amazed at the hurt that can be drawn from a guy who doesn't detail his work in any way). Sticking him on an alternative take on Batman vs The Joker is a stoke of genius and it helps that it's written by Daniel Way, the guy behind some of the best of Deadpool, and another man who's very at home with impressive levels of serious violence.
So there is a competent team in place, and they certainly don't disappoint. Whilst it's an inconsequential tale its nice to see a story that doesn't take its subject matter very seriously. Nighthawk is a character that's rife for this kid of treatment - as a Batman parody he doesn't really work, because he's too in-jokey for the reader. His entire set up in the Supreme Power reality is that of an amoral Billionaire who only intervenes in those cases where he can help black people, and sees everything through a prism of perceived racism.
It's basically taking the concept of Batman as a protector of the weak and turning it to Batman being the protector of some of the weak, the few that are like him, a concept that just makes him ridiculous.
Still, it's amusing to see him breat the crap out of racists and bullies, and his lack of limits make for a refreshing solution when he does confront the joker analogue who is murdering anyone and everyone across Chicago. There's little of substance there, but it works, and it's a nice addition to the Supreme Power universe.
Also Try:
Scott Snyder, Death of the Family
J. Michale Straczynski, Supreme Power
Daniel Way, Thunderbolts
Garth Ennis, Preacher
The main draw of this is the Steve Dillon art, a guy who is the go to for obscenely sterile violence (read Preacher or The Punisher, and be amazed at the hurt that can be drawn from a guy who doesn't detail his work in any way). Sticking him on an alternative take on Batman vs The Joker is a stoke of genius and it helps that it's written by Daniel Way, the guy behind some of the best of Deadpool, and another man who's very at home with impressive levels of serious violence.
So there is a competent team in place, and they certainly don't disappoint. Whilst it's an inconsequential tale its nice to see a story that doesn't take its subject matter very seriously. Nighthawk is a character that's rife for this kid of treatment - as a Batman parody he doesn't really work, because he's too in-jokey for the reader. His entire set up in the Supreme Power reality is that of an amoral Billionaire who only intervenes in those cases where he can help black people, and sees everything through a prism of perceived racism.
It's basically taking the concept of Batman as a protector of the weak and turning it to Batman being the protector of some of the weak, the few that are like him, a concept that just makes him ridiculous.
Still, it's amusing to see him breat the crap out of racists and bullies, and his lack of limits make for a refreshing solution when he does confront the joker analogue who is murdering anyone and everyone across Chicago. There's little of substance there, but it works, and it's a nice addition to the Supreme Power universe.
Also Try:
Scott Snyder, Death of the Family
J. Michale Straczynski, Supreme Power
Daniel Way, Thunderbolts
Garth Ennis, Preacher
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