Showing posts with label After America. Show all posts
Showing posts with label After America. Show all posts

Wednesday, August 6, 2014

Through Darkest America, Neal Barrett Jr.

"Part of the Isaac Asimov Presents series, this provocative novel is set in a world that nuclear war has almost decimated of cities, technology and large animals. To replace farm livestock, the country's sole source of meat is genetically altered humans, without intelligence or speech. A distant civil war out west, its harsh taxes and harsher collectors, force Howie Ryder to flee his family's Tennessee farm. He falls in with outlaw Pardo, who signs on with a big meat drive only to rustle it and playsand preys onboth sides in running guns. Barrett's SF rendering of this latter-day civil war comes complete with a version of slavery, cavalry charges and a young boy representing the country's coming of age. The romantic narrative skillfully moves from a well-told if familiar story of war and the western frontier to areas of ambiguity and uncertainty that readers are left to answer for themselves."


This is, it has to be said, one of the weirdest books I've ever read. Not so much for the contents (which are pedestrian) or the style (which is standard) but for the concept behind creating a post-Apocalyptic America which is near indistinguishable from Civil War era America (right down to an actual civil war) and has very little in the way of actual post-Apocalyptic America.

Billed as a book about one man's journey through an America devastated by nuclear conflict, and with the Isaac Asimov presents handle to boot, I expected there to be a little bit more exploration of 'after the end' style ideas. Instead, the main consequences seem to have been a technological collapse (valid), the complete disappearance of all black people and animals in America (errr) and the emergence of a shell-shocked untermensch of people who are used as livestock and a foodsupply.

The problems with much of the book stem from its synthesis of post-apocalyptic savagery and a frontiersman spirit which only evokes the old west or the war between the states. This leads to some slightly on the nose, and seemingly unintentional, parralels once the business of slave herding comes in, which come across as a little bit too much of a 'what if we just ate all the African-Americans?'

This really is a problem; the main character is taken to see a stuffed 'Nigger' at the local fair, right before we find out that his family's farm rears people to be eaten. They are explicitly stated to be non-human, but clearly once were and are indistinguishable from humans other than there vacant nature. The aforementioned disappearance of all the animals, and also all the black people doesn't help. The main conflict is between the Government in the industrial heartlands and the rebelling South. For anyone with even a passing familiarity with American history this should be ringing alarm bells.

In no way am I intending to suggest that the author is racist, or that this is a racist book, but it certainly has racist imagery and, I'm sure, unintentionally racist themes which make it an uncomfortable read. This doesn't sit well with the rest of the story which is a dark but ultimately shallow story, a version of which was done better by Patrick Ness in The Knife of Never Letting Go.

It fails more as a post-apocalyptic imagining than a story altogether, but there are certainly better novels exploring the same idea. This would almost certainly now be a book aimed at teens, but there so many better novels set after the fall of civilisation for a teen audience that this would barely excite notice.

Also Try:
Patrick Ness, The Knife of Never Letting Go
John Christopher, The Tripods
George R. Stewart, Earth Abides
Cormac McCarthy, The Road
Daniel Woodrell, Winter's Bone

Sunday, July 7, 2013

After America, John Birmingham

"March 14, 2003, was the day the world changed forever. A wave of energy slammed into North America and devastated the continent. The U.S. military, poised to invade Baghdad, was left without a commander in chief. Global order spiraled into chaos. Now, three years later, a skeleton U.S. government headquartered in Seattle directs the reconstruction of an entire nation—and the battle for New York City has begun."








After America is one of the most ridiculous books I have ever read, and bearing in mind that I've just posted a review of a comic that features a superhero who replaces his head with that of a ghost cow, after an undead boxer smashes his to smithereens, that is saying quite a bit.

This is the second in a series called 'The Disappeared', the plot of which is that in the run up to the Iraq war, with most of the American military about to step into a war in the Middle East, an unexplained wave of energy hits America and reduces its population to a few million. In the last book the fallout from the near total destruction of America was the near economic destruction of the world, and a pre-emptive nuclear attack by Israel on every neighbouring nation.

Having set up a new democratic Government, and prevented secessionist Texans from declaring military rule, the new President is having a hard time, due to the fact that New York has been occupied by an entire terrorist force.

Focusing on the battle to retake the city, as well as the struggles for various characters in Europe and southern America, it basically becomes a lovingly detailed book of military hardware. Much like Birmingham's other series, Weapons of Choice, this is a book that loves to go overboard on the intricacies of weaponry. What it lacks in sense, or explanations, it more than makes up for in embellished characterisation of the military.

It's a great book, don't get me wrong, in the classic mold of an airport page turner. It's not smart, it's not clever, and it's rarely all that well written. Above all, it's not good Sci-Fi. Not since 1632 decided it could just dump a modern town into history because 'aliens' has a major plot point been quite so sketchily planned. The wave is a catalyst, but it isn't ever explained. There's no attempt to analyse it. Like King's 'Under the Dome' it's just something that happens to start the plot. Reactions to it vary, but all accept it and move on.

Everything that comes after is tinged with the sense of that; people accept things and move on. People do things that don't make sense, and it's chalked up to the wave. It's bad sci-fi, and it's a shame that it's unexplored (and unexplained). At least in Weapons of Choice Birmingham attempted to rationalise an explanation.

It shouldn't bug me in a book about the invasion of New York by the US army to fight the evil forces of Islam, but it does. It's not helped by the portrayal of anyone outside of America as either evil (and Muslim) or cold and aloof (and English). These are the defaults of outside America. Not all Americans are good, but all non-Americans are pretty bad. And that's a pretty problematic world when America is quite so reduced in status and size.

Also Try:
John Birmingham, Weapons of Choise
Eric Flint, 1632
Brian Wood, DMZ
Brian K Vaughan, Y: The Last Man