The Ultimate line was a great idea, an attempt to create an Earth 2 style spin-off line of continuity free, newly restarted heroes that welcomed new readers and retold classic stories in an updated setting. Spearheaded by Mark Millar's Ultimates and Ultimate X-Men it was an uncomplicated method of trying to take people who had seen the super movies of the early '00s and translate them to comic sales.
Over a decade later it has developed its own vast and sprawling myth arc and is as undeniably complex as the mainstream Marvel Universe (or Reality 616), despite attempts to reduce and simplify the cast through mega crossovers like Ultimatum, in which roughly half of all introduced heroes were killed off (including 90% of the recognisable X-Men). The Ultimate Universe has become a series of diminishing returns, with the notable exception of Ultimate Spider-Man, which has enjoyed a creative resurgence since killing off original Spider-Man Peter Parker and introducing legacy character Miles Morales.
But back in the day these were some of the best comics around, especially as an introduction to the wider Marvel Universe. They emerged at a perfect time for me to get into them as I started to read comics, and are fully responsible for my love of Marvel over DC. In reselling classic stories and reintroducing classic heroes and villains, they name dropped enough that I actively sought out those characters more.
Tomorrow People serves as a particularly excellent introduction to the X-Men, complete with teenage angst and the perils of being unwelcomed defenders of humanity. Much like the animated series, it opens with the sentinels rather that Magneto, leaving the reader in no doubt about who the real villains of the comic are: humans.
It also distils the original lineup down to a few of the more interesting characters: no Angel, Banshee. Havoc, Polaris, Sunfire or Thunderbird in this line up, so we're left with the pick of the original line-ups. Most of these will be introduced within the following few books, including Nightcrawler and Kitty Pryde, but the distiller adaptation of everything X-Men, from films to TV, and ever some comics lore, means that you have a potently crafted mix which brings together the best line-ups and origins.
If you want to know where to start with comics it's hard not to suggest this - its a stand out first read, often funny and relatively realistic in comparison to the 60s X-Men, or even their 616 counterparts.
Also Try;
Brian Michael Bendis, Ultimate Spider-Man, All New X-Men
Grant Morrison, New X-Men
Joss Whedon, Astonishing X-Men
Mark Millar, The Ultimates
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